Vampires and Crematoriums

So I was watching Breaking Dawn: Part 1 last night, and whilst I was deciding on whether I could deal with another minute of the male chauvinistic story (no offence to Twilight lovers, in fact I love the first film, but you have to be honest – Bella is passed from man to man like a newspaper on the underground), a classical tune in the background caught my attention.

It was Jeremiah Clark’s “Trumpet Voluntary” being played by a violin quartet during the wedding scene. I recognised it straight away, and thought it so wierd as it has such a regal sound for a wedding, especially for a film like Breaking Dawn.

The reason I knew what the song was, and this is going to sound like a real history geek kind of thing to say, but it’s because I once bought an album called The Magic of the Proms because it had a couple of tracks on it that reminded me of school and the First World War (funny how it reminds me of the two together. Depressing really – war and school). There’s something about the tracks that make me think of all the pomp and jingoism and patriotism before the First World War, as most of these tracks really are quite regal and poncy, like “Trumpet Voluntary” and also “Pomp and Circumstance March No 1” by Elgar. Elgar tried to disassociate the link that many people made between his music and jingoism.

Then there’s “Jerusalem“, composed by Hubert Parry, with lyrics taken from the poem originally by William Blake; the song at the beginning of many England games and at the end of every commemoration service that my school held at the end of every year in Canterbury Cathedral. Everybody seemed to love it. Funny how few people actually read into the words – if they did, they would have realised that the words are actually reflecting on the fact that England, rife with “dark, satanic mills”, is still trying to reach its Jersualem – not quite patriotic in the way you first think. “Nimrod from the Enigma Variations“, again by Elgar, always brings a tear to my eye – cue battle scene footage.

Finally, this is the track that I think I need to bar from bus journeys, and this is going to sound really geeky, but it practically makes me sob every time I listen to it in my headphones. I get the impression that many people think that Holst adapting part of the tune from his “Jupiter from The Planets” as a backdrop to the poem “I Vow to Thee My Country” by Sir Cecil Spring-Rice, was a scandalous crime. But I love a good scandal and I love this song, though I’m probably showing myself to be a bit of a philistine. Strangely, Holst’s patriotic adaptation was written in 1921 after the First World War. Though I love this song, I am in no way a Royalist or land-lover (though I do like this country to an extent). To me, it’s quite a melancholy piece full of minor chords. It doesn’t make me think of how great this country is, but rather how many wars it’s waged. I will have this song at my funeral. It will play as everyone walks into the crematorium. And they will have to listen to the whole goddamn thing.

In all honesty, I didn’t think Breaking Dawn: Part 1 was too bad – some of it I enjoyed. And I bet you never thought that a history themed blog post could start with a Hollywood film like that of the Twilight Saga. But this is still a young blog, and I need to get some hits somehow.

The Last Post

From the first post to the last. By this I mean the Last Post at the Menin Gate Memorial.

This is the street in Ypres that leads up to the Menin Gate from the town square. Sorry about the quality but we were in a hurry – we being me, my sister and my friend. We were the youngest, by at least 15 years, on a coach trip of World War One enthusiasts that had taken four days out of their lives to travel around preserved mossy trenches, bleak cemeteries, and churned up fields visiting memorials and landmarks on a Guided Battlefield Tour. It may sound boring. It probably is to most under-25s, and probably to many over that.

So why were we in a hurry? Because it was five to eight and we were rushing to see the military men perform the Last Post, which takes place at 8pm every night beneath the Menin Gate. It’s occurred at that time every day since July 1928, apart from during the Second World War when the Nazis stopped it. B-loody Nazis. During this time, it took place at Brookwood Military Cemetery in Surrey. Yet, although it does occur every night, we were only there for one.

We’d had trouble getting served in the restaurant, as had most of the other people. It was rammo, as everyone was trying to down their food and Belgian beer to get to the ceremony. This was the second time I’d been. The first time I’d been was on a school trip when I was 17 in June 2004. It was sunny daylight that time. This time was at the end of October 2009. Welly weather.

The Menin Gate is a memorial to the missing – the many men who died in the Ypres Salient during the First World War. If you don’t know much about the war,  and are confused by this, then you should know there are many memorials to the missing throughout France and Belgium and loads of cemeteries for that matter, because literally there were so many men that died. They’re everywhere in Belgium. You couldn’t keep count. Due to the nature of the war, many men were buried in mass graves, or simply lost in the mud – bodies covered up by the ground constantly being tossed around by explosions, trench digging etc. The war ran from July 1914 to November 1918 and so many people died.

Picture this: on the first day of the Battle of the Somme, the so-called “Big Push”, where the British and French began a massive offensive against the Germans, the British suffered roughly 57,000 casualties – just on the first day, with more than 19,000 men killed, not to mention the French and the German. It was meant to be a sort of team building exercise, uniting the British and French against the enemy at the point on the Somme river where the British and French troops met each other on the battlefront. It was also meant to bring about the end of the war. The Battle eventually ended on the 18th November. You can imagine how many more died after that first day.

The Battle of the Somme, however, was in France, and we were in Belgium at this point of the tour.

When we got there, we saw this:

If you look closely, you can see engravings in the wall. These are the names of more than 54,896 missing dead. To the right seemed to be a band of some sort. They came into action later.

It went quiet. Then a row of buglers marched up. They blew out the Last Post.

This time was different to the last time I’d been in 2004, when only the buglers had played.

This time, the band on the right played one of those traditional, old British pieces that you automatically associate with wars, but I can’t remember what it was now. Then finally a Scottish Highlander played a tune on the bagpipes. It got pretty emotional really, as I couldn’t help but think of those Scottish Highlanders during WWI, who played the bagpipes to boost the morale of their comrades as they fought, and themselves marched defenceless into enemy fire, playing the bagpipes until they fell.

You stand there and you think about pretty much everything at this point of the ceremony. Of course I thought about the war and everything I’d read, watched and studied concerning it, and then my brain galloped on through the twenties, thirties, WWII, fifties, sixties, seventies and onwards, through invasions and recessions and women’s liberation marches, and coal miner’s strikes, and everything else that happened in the 20th century. Through all the people who’d stood where I was standing. All the ghosts. And I looked around and I could have been surrounded by men and women in uniform, missing limbs and jaws and eyes, holding bandages, leaning on crutches, with twitches and tics. And they all turned to look at me. Lost people. And I thought, the funny thing is, you’d all be dead by now if you had survived the war. Funny thing, that.

And then the music stopped and the buglers and Highlanders walked away. And I blinked, and I thought Keep it together, keep it together. Nobody else appears to be taking it as seriously as you. Nobody else got lost then. Other people here are only here for the novelty of seeing this traditional ceremony. You’re too over-emotional. You weren’t there. Nobody else is getting teary, blink it away. Blink it away.

And then my sister turned around, and I looked at her face, and I knew I wasn’t the only one.